(via Doctoring the Novel: Medicine and Quackery from Shelley to Doyle - Ohio University Press & Swallow Press)
Description:

If nineteenth-century Britain witnessed the rise of medical  professionalism, it also witnessed rampant quackery. It is tempting to  categorize historical practices as either orthodox or quack, but what  did these terms really signify in medical and public circles at the  time? How did they develop and evolve? What do they tell us about actual  medical practices? Doctoring the Novel explores the ways in which language  constructs and stabilizes these slippery terms by examining medical  quackery and orthodoxy in works such as Mary Shelley’s Frankenstein, Charles Dickens’s Bleak House and Little Dorrit, Charlotte Brontë’s Villette, Wilkie Collins’s Armadale, and Arthur Conan Doyle’s Stark Munro Letters.  Contextualized in both medical and popular publishing, literary  analysis reveals that even supposedly medico-scientific concepts such as  orthodoxy and quackery evolve not in elite laboratories and bourgeois  medical societies but in the rough-and-tumble of the public sphere, a  view that acknowledges the considerable, and often underrated, influence  of language on medical practices.

About the author:


Trained in Victorian studies and pharmacy, Sylvia A. Pamboukian is an associate professor in the department of English at Robert Morris  University. She has published on topics as diverse as Victorian x-rays,  Rudyard Kipling’s supernatural stories, and taboo in the Harry Potter  series.

(via Doctoring the Novel: Medicine and Quackery from Shelley to Doyle - Ohio University Press & Swallow Press)

Description:

If nineteenth-century Britain witnessed the rise of medical professionalism, it also witnessed rampant quackery. It is tempting to categorize historical practices as either orthodox or quack, but what did these terms really signify in medical and public circles at the time? How did they develop and evolve? What do they tell us about actual medical practices?

Doctoring the Novel explores the ways in which language constructs and stabilizes these slippery terms by examining medical quackery and orthodoxy in works such as Mary Shelley’s Frankenstein, Charles Dickens’s Bleak House and Little Dorrit, Charlotte Brontë’s Villette, Wilkie Collins’s Armadale, and Arthur Conan Doyle’s Stark Munro Letters. Contextualized in both medical and popular publishing, literary analysis reveals that even supposedly medico-scientific concepts such as orthodoxy and quackery evolve not in elite laboratories and bourgeois medical societies but in the rough-and-tumble of the public sphere, a view that acknowledges the considerable, and often underrated, influence of language on medical practices.

About the author:

Trained in Victorian studies and pharmacy, Sylvia A. Pamboukian is an associate professor in the department of English at Robert Morris University. She has published on topics as diverse as Victorian x-rays, Rudyard Kipling’s supernatural stories, and taboo in the Harry Potter series.

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